66. Triptych, Karin Slaughter

398 páginas

When Atlanta police detective Michael Ormewood is called out to a murder scene at the notorious Grady Homes, he finds himself faced with one of the most brutal killings of his career: Aleesha Monroe is found in the stairwell in a pool of her own blood, her body horribly mutilated. As a one-off killing it's shocking, but when it becomes clear that it's just the latest in a series of similar attacks, the Georgia Bureau of Investigation are called in, and Ormewood is forced into working with Special Agent Will Trent of the Criminal Apprehension Team - a man he instinctively dislikes. But then, only twenty-four hours later, the violence Michael sees around him every day explodes in his own back yard. And, it seems the mystery behind Monroe's death is inextricably entangled with a past that refuses to stay buried...

65. Miranda's Big Mistake, Jill Mansell

503 páginas

Love is always just around the corner in a Jill Mansell novel - with a few surprises and a lot of humour on the way to happiness Miranda is thrilled when she meets Greg at a cocktail party. He's gorgeous, he's funny - and he's very keen. Just what a girl needs to put some sparkle in her life. Heavens, he's practically perfect! Greg likes Miranda a lot. She's young, she's pretty, and she never talks about babies. Of course he hasn't told her everything about himself - even the sweetest girls can be a bit funny about a man who's just left his newly pregnant wife. But there's no way she's going to find out - or is there? Luckily for Miranda men are like buses - you don't see any for ages then three come along at once. She just needs to catch the right one...

64. Tóquio, Mo Hayder

397 páginas

Tokyo is another of Mo Hayder's deliciously chilling criminal outings, but probably won't produce the frisson of disapproval that such novels as Birdman and The Treatment did. The days are gone when Hayder was identified as one of a cadre of women writers who did something totally unacceptable: produce grisly crime novels quite as unsettling as the products of male imagination. People seem to have finally accepted that the tough crime novel needn't be an exclusively male preserve.Her troubled female protagonist in Tokyo is Grey, haunting the thronging streets of Tokyo in search of an elusive piece of film recording the infamous Nanking massacre of 1937. But did the film ever exist? The past is a touchy subject for Grey, with incidents in her own life that she has not yet come to terms with. She ill-advisedly becomes a hostess in a nightclub where the clientele is a tad unsavoury (another example of Hayder utilising real-life crime for her plots, with the echoes of a recent murder case). And Grey finds a lead to her quest: a taciturn survivor of the massacre who is now an academic, with no time for the woman pestering him. But Grey makes progress with him--until she encounters a powerful Godfather figure and his violent associates, with a clandestine source for his well-being a much sought-after elixir. Soon, Grey's life becomes two things: very complicated and a place of considerable danger.

63. Lost in a Good Book

371 páginas

Thursday Next, literary detective and newlywed is back to embark on an adventure that begins, quite literally on her own doorstep. It seems that Landen, her husband of four weeks, actually drowned in an accident when he was two years old. Someone, somewhere, sometime, is responsible. The sinister Goliath Corporation wants its operative Jack Schitt out of the poem in which Thursday trapped him, and it will do almost anything to achieve this - but bribing the ChronoGuard? Is that possible? Having barely caught her breath after The Eyre Affair, Thursday must battle corrupt politicians, try to save the world from extinction, and help the Neanderthals to species self-determination. Mastadon migrations, journeys into Just William, a chance meeting with the Flopsy Bunnies, and violent life-and-death struggles in the summer sales are all part of a greater plan. But whose? and why?